Residences
Residence in Switzerland from the Jan Michalski foundation, in 2025

A residence for writers and translators. I will continue to work on the topic of Verdingkinder- "contract children" who were sent to foster farms and orphanages from the 1800s to the 1970s.

Support Letter
Private residence in Peredelkino, September 2024

I was selected for the residency (out of 150 applications). She wrote her first novel, "Herman - My Grief," based on diaries found in a St. Petersburg garbage dump in May and August 2024.
Residence in Switzerland from the Pro Helvetia Foundation, November-December 2023

Won the selection of residents with the Verdingkinder project - children who were taken from single mothers, the poor, Gypsies and other segments of the population, and given to foster families and shelters. This lasted from the end of the 19th century until the 1960s.

Part of the residency was held in Bern, part in Kaserne in Basel.

Online exhibition (film photographs, cycle "Hontology")
Online exhibition ("Flashcards" - polaroids)

The goal of the project is to write a play about this phenomenon in 2024.

In addition, was engaged in the study of material culture and the properties of memory through the study of flea markets.

Fragment of book in english
The play in english

Support letter from "Pro Helvetia"

Residency at the Art Communal Museum. Erofeev and Others in Kolomna, 2022
"Pack Your Things" project


A play based on items found in the museum, a reading, and an exhibition of items belonging to residents of Kolomna

In 2024, the project was implemented as a performance

A performance based on the play "Extra (Things)"
Director - Elena Levina, February 2024

A story about a woman, told at three different ages. She disappears, and to find her grandmother, her granddaughter must return to her old apartment, filled with her belongings.

The play was written during a residency at the "Artkommunalka. Erofeev and Others" museum in 2022. The actors are non-professionals.

One of the components of the residency is an exhibition of objects, the "memory keepers" of Kolomna residents.

One of my areas of interest is material culture, the anthropology of objects, memory and objects, and the death of objects. Therefore, the project is based on the museum's collection of objects from everyday life in the 1960s.

A notebook where children left wishes; "Red Moscow" perfume; shoes, cufflinks; an earring without a stone—all these are sources of memories. You can hide in them and drown. They are also the key to salvation.


Fragment:

Natalia. I gave birth to twins. We brought them home. And the cat sat on the boy's face. While I was hanging the laundry, he suffocated. Our cat is big and gray. Beautiful, oh my! Her eyes are green, like my favorite glasses. We got a set for our anniversary. My husband didn't understand why I didn't let her be thrown out or put to sleep. But how can you explain that? I looked into her eyes and remembered everything.
There was a girl left, yes.

She takes plastic buttons from children's dresses out of a sewing box, and a photo of the button appears on the screen.

And the cat stayed. A stupid animal, what can you ask of her?

Grandma Natasha. I looked at her, and my son is always standing next to me, smiling at me. He comes home at night and says, "Mom, don't cry, I'm happy here." Mom, don't cry, look. The child is foolish, but she understands. And I wipe my face with my apron. My daughter asks why I'm crying. I keep quiet and go into the barn. I'll sit for a while and then come out.
Natasha. Borka and Froska grunted in the barn all summer. And then in the fall, they disappeared somewhere.
Natalya. I walk around with my purse. I collect stones in it. Or I sit on the beach, combing the sand with my fingers. My husband, Alyosha, whispers, coaxes. Auntie shouts. I just nod. The neighbor helps them. She goes to the milk kitchen. Feeds him. Takes him for walks. Irons his shirts.

<...>

Winter. Lika arrives at her grandmother's apartment. She sees that everything is cluttered with things.

Lika. Grandma is:
"Ballet" cream and fine, fragrant powder;
"Red Moscow" perfume. I always painted Moscow red. When we moved, I was surprised to see it was multicolored. A yellow sewing box full of buttons. You can play with them;
shoes. I could put my little feet in them and walk like a grown-up; (Lika tries on Grandma's shoes; now they fit her)
the smell of vinegar in her hair;
tooth powder, you want to chew it, it smells so delicious;
an earring I clutched in my fist when we left. It's long, it jingles when you shake it (Lika takes it out of her pocket and shakes it)
tears on Mom's birthday when she's not looking.
A voice offstage. Likusha, you're such a slob. Grandma, who is a slob? A very clumsy person. Marya Ivanovna was drinking tea, but her stomach was cold. Would you like some tea? I will, Mamushka. Why Mamushka? You're everything at once. Mom is sleeping, she's tired, but I didn't play either. I don't spin the top, I sat down and sat. Don't make noise, Likusha.
Lika. I'm not making noise, Grandma. I'll sit here quietly with you. Where are you?

Lika can't find any photographs. Just one of Grandma with Lika and Lena. She takes it and puts it in her pocket.

All text in English

Museum artifacts that became part of the play: